In January 2020, a significant shake-up occurred within Prophet David Owuor’s Repentance and Holiness Ministry when Lavender Obuya, the church’s renowned National Worship Leader, was suspended.
A memo signed by Bishop Muhanda revealed that Lavender’s suspension stemmed from her decision to minister at another church.
This act, deemed a violation of church doctrine, led to her removal from all responsibilities and worship groups at local, regional, and national levels.
The memo emphasized the church’s strict adherence to its belief system, referencing a divine cloud that had supposedly descended and calling for unwavering loyalty to the Prophet.
Members of the worship team were also cautioned against interacting with other congregations, reflecting the church’s isolationist stance. Bishop Dominic of Kisumu was tasked with handling Lavender’s case, further underscoring the gravity of the decision.
Lavender, however, chose to move on. Just days earlier, she had launched her album Ndiwe Wastahili at Nyamasaria Primary School in Kisumu, where she invited Christians and leaders from different denominations.
The event, though celebrated by many, appeared to unsettle the ministry’s leadership, who were accustomed to controlling her musical and spiritual output.
For years, Lavender’s voice had been a defining feature of the ministry. Her songs were staples on the church’s radio station, “Jesus Is Lord,” and her music brought the ministry significant recognition.
Yet, behind the scenes, her work was tightly controlled. The church claimed ownership of her music, dictated her interactions, and imposed restrictions on how her talent could be shared. Despite her contributions, Lavender received no financial support, raising questions about exploitation.
The church’s leadership reportedly objected to her music being played in other settings and even claimed copyright over some of her songs.
Lavender’s decision to leave was not merely about creative freedom—it was a step toward reclaiming her autonomy and rediscovering the broader purpose of her ministry.
Once she left the church, Lavender embraced new opportunities. She began monetizing her music through online platforms and concerts, reaching a wider audience.
More importantly, she realized the gospel’s universal nature and committed herself to sharing it beyond the confines of a single ministry. Her new compositions in Dholuo and Kiswahili have inspired countless listeners, and her ministry continues to grow.
Lavender’s journey highlights a broader issue in some churches where leaders prioritize control over empowerment. Many congregants find themselves burdened with financial and emotional stress, often at the expense of their personal and spiritual growth.
Lavender’s story is a testament to the importance of serving God freely, without undue pressure or manipulation.
Today, Lavender Obuya is thriving, proving that faith and freedom can coexist. Her inspiring journey serves as a reminder that true worship is about connection with God, not subservience to human authority.
